Research card canon

Kestrel

From
Caithness, Scotland
When
1992
Bred or kept by
Jack Dunnett, Caithness Potato Breeders Ltd
Parents
a seedling with Solanum vernei in its background × Cara
How sure
origin partly
Shape
long-oval, smooth and even
Proportion
1.45 times as long as wide, measured from photos
Size
unknown
Bend
none
Knobs
none
Skin
cream, with blue-purple patches around the eyes and at the rose end, smooth
Flesh
cream
Eyes
medium, blue-purple (signature #7A3A5A)
Dormancy
medium
Flesh type
all-round
Health
Known among gardeners for some resistance to slugs (seed sellers and a Caithness grower; not from a trial). Good resistance to external damage and internal bruising (ECPD). Second early.
The name
unknown. Named like a bird; the breeder's reason is not documented.

The colour swatches are the flat colours the drawings use, read from photos and lifted to even daylight; the card says how.

Why Kestrel is the bicolour. The brief allowed Kestrel or another bicolour, picking the one that stands out most. Mayan Twilight (SCRI, about 2008) is the more striking photo, with big red patches on a yellow skin and red-marked flesh. It was rejected for three reasons. This set already has five red or pink skins. It is a Phureja-group variety bred from Andean material, which sits close to the Andean consultation rule in docs/decisions.md. And the "Mayan" series name is a marketing name of the breeder's agent (Greenvale AP) that borrows a Mesoamerican people's name for an Andean potato. Kestrel's cream-and-purple skin is the only pale-with-purple body in the set, and it sits between the pale yellows and the blues.

What it looks like. An even, smooth, long-oval tuber about 1.45 times as long as wide, with cream skin splashed blue-purple around the eyes and the rose end, and cream flesh. In the photo, cream skin samples #9D8758 and the purple patch #4C2932 under dim grey light; lifted to #E3D3A8 and #7A3A5A. Cut flesh samples #9A8F70, lifted to #EFE3BF.

History. Bred by Jack Dunnett of Caithness Potato Breeders in the far north of Scotland, released in 1992, from Cara crossed with a breeding seedling carrying the wild species Solanum vernei. Why vernei was used is not stated in the sources. A modern show and garden variety. Jack Dunnett is a private breeder; told as fact only, never portrayed.

Body facts that carry story. Gardeners say slugs leave it alone. Tough against knocks and bruising. Marked only where it sprouts: the colour sits at the eyes.

In the cellar

Where sources disagree

parents

AHDB: Solanum vernei x Cara

ECPD: Seedling x Cara (vrn)

How we settled it: Same cross: the seed parent is a breeding seedling carrying the wild species S. vernei (vrn). Card says so.

eye depth

AHDB: shallow to medium

ECPD: medium

How we settled it: Medium.

Still unknown

  • Name meaning.
  • Plant breeders' rights: AHDB gives expiry 2022, a retailer still labels it PBR; assume expired, check before any product use of the variety name (none planned).
  • Size in cm.
  • Slug resistance is reputation, not a measured trial result.

Sources

  • potatoes.agricrops.org: AHDB/SASA: good yields of very attractive long-oval parti-coloured tubers, good all-round cooking, good chipping; parentage Solanum vernei x Cara; breeder Caithness Potato Breeders Ltd; breeder rights expiry 2022; skin blue parti-coloured; flesh cream; eyes shallow to medium; smooth; blue light sprout; second early; blue-violet flowers; no berries
  • europotato.org: ECPD: Seedling x Cara (vrn); breeder J. Dunnett; agent Caithness Potatoes Ltd; skin part blue; eye colour blue; flesh cream; oval to long; eyes medium; smooth; uniform; dormancy medium; mealy to multi-purpose; pale fry colour
  • suttonelms.org.uk: (via search summary) a Jack Dunnett variety from 1992; white with bluish-purple eyes
  • gardenfocused.co.uk: (via search summary) slug resistance reputation, good for showing
  • rhs.org.uk: RHS plant record for the variety; RHS shop sells it as 'Kestrel (PBR)'

Reference photos

Used to read proportion and colour, credited here, and never traced or copied into the drawings.